
The Craft of Creating Romance Novels: The Premise
by Katie Lovette
The following article appeared in the April 2006 issue of Smoke
Signals, newsletter of the Smoky Mountain Romance Writers. Other
chapters can use with credit to author and chapter.
What is a story's Premise? The Premise is the issue that is being
illustrated, the core belief that provokes the characters into action.
What is an issue? It is the basic driving force of human nature-love,
hate, greed, jealousy, etc., and is the heart of the story. Each
character in the story faces the Premise and either succeeds or fails.
The bad guys are killed or jailed because they cannot refrain from
committing the crime and the hero gets the girl because he brings
to an end the evil or wrong doing. The bad guy fails and the good
guy succeeds. Two good examples are "The Transporter" movies.
In each, greed is the Premise. In the first movie the transporter,
who follows the rules and is not greedy, halts those who are smuggling
illegal aliens into the country for huge profits. He prevents evil
from happening, prevailing over the bad guys. In the second, a child
is kidnapped and infected with a virus. The child is used as a tool
to murder the father, who is preventing the kidnappers from making
large amounts of money.
Do not confuse Premise with the Concept or the Message. A Premise
allows for several avenues to discuss and answer the issue. The Concept
is how the Premise is presented, how the story tells it. The Message
is presented and has only one outcome or one correct answer. A good
example of a Message versus Premise can be found in the movie A Knight's
Tale. The Premise is pretending. The Message is why do we pretend
to be something we are not? The Concept is a servant pretends to
be a knight in hopes of changing his station in life.
Today's popular fiction has either a Premise or a Message.
Award-winning books or movies always have a strong Premise. For
example, the Premise of this year's Academy Awards Best Picture Crash
was racism. The Message presented is that each of us is a racist
to some degree. Although this is still a controversial subject, this
script enticed plenty of Hollywood talent to take a role.
In the Romance genre, the hero and heroine are representatives
of the Premise and this dictates the way they act and react to the
issue and conflict. To add to the conflict, the hero and heroine
have opposing ideas and reactions to the Premise. To illustrate this,
make jealousy the Premise. Have your hero be extremely jealous of
any man who is near the heroine. Have the heroine not experience
jealousy because she trusts the hero to be faithful to her. Thus,
the hero believes that the heroine does not love him and the heroine
is afraid to talk to anyone. Showing how each main character handles
the plot points-the meeting, the first kiss, the love scene, the
dark moment, the resolution-as well as the external and internal
conflicts adds to characterization.
Katie Lovette is the author of Loving Care for Alzheimer's
Patients and is a charter member of SMRW.
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